Hands
It really is the one missed feature I wish Sony would have added. The FX6 also includes DCI 4K, pure 24p frame rate, 12G-SDI, timecode and its larger size allows for different functionality. It blocks your hand from the grip, so if you are using a tripod and not handholding the FX3, that will work. Electronic variable ND• If you want to use a LUT then you would need to hook up an external monitor or EVF that has the ability to import or use LUTs. Dual CFexpress Type A or SD card slots. The AF works in all resolutions and all frame rates, including UHD at 120p and HD up to 240p. The top handle includes an audio interface similar to the Sony XLR-K3M minus a built-in microphone. 5mm mic input If you go into the Quick Audio menu you can control and adjust all four channels of audio. The FX3 body itself includes mic and headphone jacks and includes a built-in stereo mic as well. 94p 4:2:2 12-Bit UHD 4K 3840 x 2160 at 23. It features a regular E-mount. In terms of build, the FX3 has those mounting points, dual card slots that accept CFexpress Type A and SD cards, and a top handle that provides 4-channel audio. It has three mounting points—two on top and one in the back. If you are going to try and squeeze a new model into an already crowded line-up it is much better to have that camera imitate an already available alpha series camera, than trying to make it a mini FX6. Touchscreen Operation Just like the a7S III, the FX3 has the same touchscreen operation available from its LCD screen. You can use a USB power delivery device via USB-C as well. Other recording formats including XAVC HS. Despite the improvements, I still find the menus on Sony cameras to be lagging behind some of the competition. Then came the Sigma fp, and just last year, the Canon. The viewfinder takes up most of that extra area. What Sony has essentially done is take inspiration from the Sigma fp body and put all of Sony's excellent features inside. Form factor• Magnesium alloy body with rugged steel skeleton. FX3 a7S III Sensor Full-Frame 10. I wish it was a little smaller, but it will have to do, and it works really well. Compact cameras like this certainly have their advantages in certain shooting situations. But unlike with the FX6, which currently can only output RAW over SDI to the Atomos Shogun 7, with the FX3 you can output RAW over HDMI to an Atomos Ninja V. External RAW recording with Atomos Ninja 5• By utilizing this smaller megapixel sensor in the FX3, Sony can give you UHD at up to 120p with full pixel readout and no pixel binning. Again, I think because the camera is so small, there is no physical room for any type of internal ND. 10dB: Standard input level at -50 dBu Recommended input level for the supplied microphone. Personally, I dislike using lens filters when shooting video. The Sony FX3 is even smaller than an a7S III. You do get a full-sized HDMI output just like the a7S III. On the top right-hand side, you will find a Record button, three custom buttons which by default are set to WB, ISO, and IRIS. XAVC HS• There is also a zoom lever that can be used to control compatible Sony E-mount power zoom lenses. 94p XAVC Intra 422 10-bit Class 300 UHD up to 120p XAVC Intra 422 10-bit Class 300 HD up to 240P XAVC Intra 422 10-bit Class 100 External Recording UHD up to 59. It is considerably more affordable than a RED KOMODO or a Canon C70. Sony has really tried to minimize the number of physical buttons and switches with the FX3. The FX3 has the same stills camera-style body of the A7S III but is slightly thicker and shorter. The LCD screen has the following brightness modes:• Whether you love Sony cameras or loathe them, the Japanese company has always priced its mid to lower-end cameras fairly aggressively. You need to be aware that the FX3 does not come with an external microphone. 94p XAVC Intra 422 10-bit Class 300 UHD up to 120p XAVC Intra 422 10-bit Class 300 HD up to 240P XAVC Intra 422 10-bit Class 100 External Recording 4K DCI up to 59. Small and Mighty A powerful camera that is small in size and big on specifications is something many people want, especially for gimbals and crash cams or a B-Cam. One area where competitors like the C70, fp, and FX3 are leaving behind the BMPCC line is the lens mount. Included with the camera is an XLR audio module that looks to be very similar to the Sony XLR-K3M. The bummer is if you invested in the a7s III already, as I feel the FX3 is what you always wanted in a hybrid. Now, there is also a higher base ISO of ISO 12800 when shooting in SLOG3 SGamut3. Even slow-motion footage can be captured in extreme low-light. The FX3 is just the third commercially available camera that I know of that can use CFexpress type A cards. The FX3 will be powered by the well-known Sony NPFZ 100 batteries used on cameras like the A7 III, A7R III, Alpha a6600, and A9 II. While it lacks SDI and internal RAW, those might not be a need. The LCD screen looks to also be the same as the a7s III. kept in natural conditions, with freedom of movement. Internal LUT preview is great when you are working with a larger group of collaborators who might not be able to imagine the final results of a shot, but most monitors now support LUTs, so you can always plug a LUT into the directors monitor if you need. This is slightly smaller than the 3. It features two full-size XLR channels and a shotgun mount. The air intake is on the bottom of the camera and the exhaust is on the left-hand side beneath the HDMI port. Sony may soon release the FX3, a cinema camera version of the full-frame A7S III mirrorless camera, according to several leaks. Back-illuminated sensors offer increased sensitivity and less noise. You could very well argue that Sony created a camera that they already had. This, plus the 15 stops of wide dynamic range, ensure subjects and scenery stand out as the filmmaker envisioned. The camera includes a full-size Type A HDMI slot, which supports 16-bit RAW output. This is the best color I have got from a Sony mirrorless camera and it has everything to do with S-Cinetone. The FX3 uses S Cinetone Color Science like the rest of the Cinema Line; this ensures seamless footage integration with rich color and a professional aesthetic. While the FX6 started shipping around the same time as the Canon C70, the FX3 comes to market after a lot of potential buyers of this camera have already invested in the a7S III. S-Cinetone is the default Picture Profile, or you can use the built-in LUT. The body is larger… the more I think about it, they only share a fault of no EVF. To switch the function, a simple push of the MODE button brings up the options. The LCD screen can fully articulate and flip into a selfie position without obstruction; however, if an HDMI cable or other ports are used, they will block the view. Designed for comfortable solo-shooting The most compact and lightweight Cinema Line camera is ideal for handheld shooting, gimbal and drone-mounted work. 5 mm Stereo Headphone output 1 x USB Type-C 1 x 3. You could also remove the top handle and utilize the MI hot shoe to add another audio module directly to the camera body if you wanted to make the camera more compact. With the added three mounting points make adding an EVF or monitor fairly easy with the right hardware. And, this slow-motion footage can be captured at up to 120fps at 4K. Canon and Sony are continually fighting for autofocus dominance and are somewhat at parity at the moment. 5mm• This isn't a huge technical issue. For remote control, you can use either Imaging Edge Desktop or Imaging Edge Mobile. So how do some of them compare on paper? The camera includes Sony's S-Cinetone Picture Profile, promising a beautiful, cinematic look with soft tones. Is historical content not being shown anymore because it was captured in black and white, or 4:3 or SD? 94p 4:2:2 10-Bit via HDMI: 1920 x 1080p at 23. ; however, the C70 gives you more features such as an internal ND and a larger LCD screen. Additionally, Erik is an outstanding educator, teaching filmmaking via courses on Linkedin Learning and Lynda. Phase Detection Auto Focus with face and eye tracking. MP4 file wrapper for greater compatibility and suitability in consumer workflows. I have simply listed the specifications in case you want to compare cameras on paper. The work they've done with VENICE really shows in the rest of the lineup. Bionz XR processor• Yes, you could add a third-party EVF to the FX3, but given its small size, the EVF is going to be nearly as big as the camera and by the time you add a battery or powering solution it will end up weighing more than the camera. The thing to clearly remember is that there is no right or wrong answer here. Unlike the FX6 there are no options to record in 4K DCI. User uploadable LUTs How does it compare to the a7S III? Capture times are limited by the lack of a fan. Although in saying that, with a lot of people using speedboosters on S35 Sony E-mount cameras there is clearly a demand for the full-frame esthetic. It is more expensive than a BMPCC 6K and 6K Pro, but slightly cheaper than a Panasonic S1H. On the plus side, the FX3 has a cage-free design. External monitors, recorders, wireless microphone receivers, the accessory shoe kit cold shoe plate , or other add-ons can be securely attached. I can also imagine this camera on non-solo, big productions. effective count for movie recording and 12. 94p 4:2:2 10-Bit via HDMI: 4096 x 2160p at 23. FX6• Reduced rolling shutter effect• Is the the camera you have been waiting for? Using software such as this, the user can select the range of compensation and resulting crop when processing video files. 94p 4:2:2 10-bit RAW OVER HDMI: UHD up to 59. Remember how tough audio capture was with a DSLR? cine, S-Gamut3 Internal Recording 4K DCI up to 59. It feels secure with the two thumbscrews. The line between the a7S III and the FX3 is very blurred. Usability The FX3 is purpose-built to be compact. They both share the exact same sensor, recording capabilities, and form factor. Full HD video at up to 240 fps• A Camera Built with Filmmakers Top of Mind Ergonomics were top of mind when Sony designed this camera. All of which are tools that are incredibly useful for some users and not at all interesting to others. 5mm Headphone 1x HDMI A Full Size 1 x PC Sync Socket 1x 2. If you compare it side-by-side to the Canon C70, you can see just how small it is. Additional thread holes on the body and handle ensure filmmakers can add numerous accessories without the need for a cage. With Active Image Stabilization turned on, the FX3 was like a tripod in the sky. Yeah, we are not done with camera releases at all! Not having a locking E-mount means you really do need to use lens support for certain larger lenses. I think the main reason for sticking with HDMI is that most affordable monitors and other accessories tend to only have HDMI inputs. On the FX6 you can load up user LUTs as well as scene files. 2 megapixels effective back-illuminated CMOS Exmor R 4K sensor. Precise and smooth focus is maintained with Real-time Eye AF — technology that pinpoints eye even when subjects are looking down or up at steep angles. 5 mm Stereo Mic Level Input 1 x Headphone Jack 1 x HDMI D Micro 1 x USB Type-C USB 3. It also allows you to use touch AF directly on the screen. This is evidenced by the camera's S-Cinetone Picture Profile, internal cooling, XLR handle, cage-free design, tally lights and video control layout. I really like this feature as it takes the cables away and gives you several options with existing modules. The FX3 boasts first-class focus performance, optical image stabilisation, handheld shooting design and advanced heat dissipation for extended recording times. 2MP back-illuminated CMOS Exmor R Full-Frame 12. The FX3 is the first Sony digital cinema camera to feature 5 axis in-body stabilization. You can also record HD proxies on the FX3 On paper, the FX3 offers you higher frame rates in UHD than the more expensive FX9. The internal structure of the FX3 is made out of magnesium alloy and the camera also features dust and moisture sealing. The worst argument I always hear in regards to resolution is that I am future-proofing my material. FX3 Design Credit: Sony The FX3 likely wouldn't exist if it weren't for the Blackmagic Pocket Cinema Camera. On the back right-hand side of the camera, there is a Menu button and a series of buttons that are similar to what you find on an a7S III. A full-frame sensor, amazing low light performance, dynamite autofocus, in-body image stabilization, 4K 120p image capture, and 16-bit RAW over HDMI. VENICE has an E-mount nicely lurking underneath the removable PL mount. While I think they have managed to do that, it looks like they squarely stomped on the feet of the a7S III. Shooting off a small LCD is not easy. Other specs of the FX3:• 10-bit 4:2:2 Hybrid Log-Gamma HLG is also available in all recording formats. With a locking mount, it reduces lens play and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. 6x battery runtime as well as USB-PD power option for extended shooting times. An audio module with gain controls and two XLR connectors are part of the handle and it comes with a mini shotgun mic. Menu and LCD Screen The menu structure is the same as the new a7s III when in video mode. The FX3 comes with what looks to be the Sony XLR-K3M. UHD up to 120p• The only trouble with CFexpress Type A cards is that they are expensive and at the moment capacities are limited to just 160GB. Again, the AF is the exact same system that is being used in the a7S III. Below is what the camera is capable of outputting over HDMI: Raw 16-Bit 4. S-Cinetone is a real step forward to crafting pleasing images straight from the camera. The newer mounts just make that easier with E mount being the system with the widest selection of native lenses and yet still easy to adapt to other lenses. The menu structure of the FX3 is the same as the a7s III when in video mode. HD up to 240 fps• There is no denying the small and powerful form factor has big advantages, and the Sony FX3 has taken on this exact form factor. 5mm input as well, all at the same time. Built-In Stabilization for Handheld Shooting To guarantee smooth footage, the FX3 boasts active-mode image stabilization, delivering distraction-free, smooth shots while moving. AF with face detection and Eye-AF• 88p External Recording OVER HDMI 3840 x 2160p up to 59. I am not going to compare every single camera that could be considered competition because we would be here all day. Here we are in the frigid and bleak Southampton Long Island winter. 5x S35 shooting mode you are limited to recording in HD. The FX3 includes Face Detection and Real-time Eye AF, as well. I like the handle as it is small and lightweight. You can do a 50 foot run of SDI and get a signal. Color Straight out of the FX3 with no color correction I like S-Cinetone a lot. Another CU from below, hands clenched on steering wheel. With a big beautiful full-frame sensor capable of shooting Blackmagic, ProRes RAW, and CinemaDNG, a truly compact body size, and a great price point, it's still a compelling option for certain types of production and a real competitor for the FX3. The supplied XLR handle unit securely attaches to the body via the Multi Interface Shoe without any special tools and provides three additional thread holes for accessories: two on the top and one on the end. This mount is fully compatible with E-Mount lenses and supports all electronic connections. Once your account is created, you'll be logged-in to this account. I like how light the FX3 is with the MI handle. They are multiplying at an impressive rate. The 12MP sensor can also record still images at up to 10 frames per second. Compact Form for Cage-Free Operation• All three of these cameras are extremely capable tools that can get the job done. There is obviously not enough space for both HDMI and SDI, so like it or not, HDMI is probably the better option for the target audience of this camera. [Movie] Approx. In theory, the rolling shutter performance should be on par with the a7S III and FX6 Now, the biggest downside when utilizing a smaller megapixel 4K sensor is that you can only shoot UHD in full-frame. Below are some of the possible setups for audio. With the FX3, the areas in question for filmmakers depend on your specific needs. The only other cameras are the a7S III and FX6. Sony is probably a little behind the 8 ball with this announcement as a lot of potential buyers of a FX3 have probably already bought an a7S III. As I mentioned earlier in the article, the FX3 really does overlap with the a7S III to the point where it is bound to upset people who bought that camera recently. The recording options on the FX3 are exactly the same as those on the a7S III. If the Sony FX3 has all these features in a small form factor, what separates it from the FX6? Matthew is available to hire as a DP in Japan or for work anywhere else in the world. Despite its compact stature, the FX3 includes a pass-through heat dissipation design and has a built-in fan, which Sony states is nearly silent. The FX3 supports numerous accessories, including mics, lights, grip, wireless mics and more. We tend to expect a lot with camera releases, and sometimes that involves having unrealistic expectations. Just like the Sony A7S III, the FX3 features 5-axis in-body image stabilization, 16-bit Raw output capabilities, S-Log2 gamma choice and an impressive 80 to 409,6000 ISO range. A solo shooter demands more in terms of autofocus capabilities as well, so the FX3 has been designed to deliver high-end AF capabilities in addition to features to aid manual focus operation. Yes, the FX3 is smaller, but the FX6 is hardly a large camera. Better yet, the FX3 has the same touchscreen autofocus as the.。
